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2009:
In Support of the Court's Memory (at Congress CATH Conference,
'Concentrationary Memories', University of Leeds).
2008:
Shunt (An article on Shunt 'The Avant-garde', in Théâtre/Public n.191, December 08). http://theatrepublic.fr/2008/12/308/
Afterwards (at 'Interregnum', PSI Conference 14,
Copenhagen).
The Acoustics of Memory (at 'European Memory' Symposium,
Reading University).
Take up the Bodies: On the Disillusionment of War (English
Faculty, University of Cambridge).
2007:
The Dreamwork of Hearing in the Age of the Technological
Reproducibility of Secrets, in Liminalities, an on-line
journal: http://liminalities.net/3-3/dreamwork.htm
Literary Management – the Hollow Art of English Theatre
('Performing Literatures' conference, University of Leeds).
Making Space for Words (English Faculty, University of
Cambridge).
2006:
Heiner Müller and the Impress of Time, in 3t, Journal of
Performance Theory and Practice
(Norway: http://plot.bek.no/trete/arkiv.html).
Heiner Müller: An explosion of a memory within an extinct
dramatic structure (CongressCATH conference, 'The Afterlife
of Memory', University of Leeds).
Can a paper on 'site-specific theatre' be anything other
than theoretical?(Chuncheon International Mime Festival,
Conference on Site-Specific Theatre, National University of
the Arts, Seoul, Korea).
How does a 'site' become theatrically specific? (Palatine
Conference on Site-Specific Theatre, University of Bath).
continued...
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