Heiner Müller and the Impress of Time, in 3t, Journal of
Performance Theory and Practice
Heiner Müller: An explosion of a memory within an extinct
dramatic structure (CongressCATH conference, 'The Afterlife
of Memory', University of Leeds).
Can a paper on 'site-specific theatre' be anything other
than theoretical?(Chuncheon International Mime Festival,
Conference on Site-Specific Theatre, National University of
the Arts, Seoul, Korea).
How does a 'site' become theatrically specific? (Palatine
Conference on Site-Specific Theatre, University of Bath).
Artaud in the Age of Electra ('Towards Tomorrow' Conference,
Centre for Performance Research, Aberystwyth).
Tadeusz Kantor's Art of Theatre (Centre for Theatre,
Performance & Philosophy,Aberystwyth).
Craig after Duchamp (paper for Craig and Appia ‘Past Masters’
conference, Centre for Performance Research, Aberystwyth).
Jean Genet and the summons of the dead (Genet Symposium at
Praise of Communism: no place for utopia (paper on Claus
Peymann's production of Brecht's The Mother at the Berliner
Ensemble, for CIVICCentre Conference, organised by the
Roehampton Institute, London).
Every morning and every afternoon (paper on Craig's concept
of the 'über marionette' for an International Craig Colloquium,
which I co-organised, Central School of Speech of Drama,
London; and a report, A day with Gordon Craig, in Total
Theatre, Winter 2002/3).