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2006:
Heiner Müller and the Impress of Time, in 3t, Journal of
Performance Theory and Practice
(Norway: http://plot.bek.no/trete/arkiv.html).
Heiner Müller: An explosion of a memory within an extinct
dramatic structure (CongressCATH conference, 'The Afterlife
of Memory', University of Leeds).
Can a paper on 'site-specific theatre' be anything other
than theoretical?(Chuncheon International Mime Festival,
Conference on Site-Specific Theatre, National University of
the Arts, Seoul, Korea).
How does a 'site' become theatrically specific? (Palatine
Conference on Site-Specific Theatre, University of Bath).
2005:
Artaud in the Age of Electra ('Towards Tomorrow' Conference,
Centre for Performance Research, Aberystwyth).
Tadeusz Kantor's Art of Theatre (Centre for Theatre,
Performance & Philosophy,Aberystwyth).
Craig after Duchamp (paper for Craig and Appia ‘Past Masters’
conference, Centre for Performance Research, Aberystwyth).
Jean Genet and the summons of the dead (Genet Symposium at
U.E.A).
2005:
Praise of Communism: no place for utopia (paper on Claus
Peymann's production of Brecht's The Mother at the Berliner
Ensemble, for CIVICCentre Conference, organised by the
Roehampton Institute, London).
2002:
Every morning and every afternoon (paper on Craig's concept
of the 'über marionette' for an International Craig Colloquium,
which I co-organised, Central School of Speech of Drama,
London; and a report, A day with Gordon Craig, in Total
Theatre, Winter 2002/3).
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