2006:
Heiner Müller and the Impress of Time, in 3t, Journal of Performance Theory and Practice (Norway: http://plot.bek.no/trete/arkiv.html).
Heiner Müller: An explosion of a memory within an extinct dramatic structure (CongressCATH conference, 'The Afterlife of Memory', University of Leeds).
Can a paper on 'site-specific theatre' be anything other than theoretical?(Chuncheon International Mime Festival, Conference on Site-Specific Theatre, National University of the Arts, Seoul, Korea).
How does a 'site' become theatrically specific? (Palatine Conference on Site-Specific Theatre, University of Bath).
2005:
Artaud in the Age of Electra ('Towards Tomorrow' Conference, Centre for Performance Research, Aberystwyth).
Tadeusz Kantor's Art of Theatre (Centre for Theatre, Performance & Philosophy,Aberystwyth).
Craig after Duchamp (paper for Craig and Appia ‘Past Masters’ conference, Centre for Performance Research, Aberystwyth).
Jean Genet and the summons of the dead (Genet Symposium at U.E.A).
2005:
Praise of Communism: no place for utopia (paper on Claus Peymann's production of Brecht's The Mother at the Berliner Ensemble, for CIVICCentre Conference, organised by the Roehampton Institute, London).
2002:
Every morning and every afternoon (paper on Craig's concept of the 'über marionette' for an International Craig Colloquium, which I co-organised, Central School of Speech of Drama, London; and a report, A day with Gordon Craig, in Total Theatre, Winter 2002/3).